Free Guitar Lessons

Free Guitar Lessons - 5 Tips to Improve Your Soloing

Free Guitar LessonsHello Again!

In today’s Free Guitar Lessons post I will share with you some of my favorite tricks & techniques that can almost instantly make your solos more interesting & professional sounding. What most guitar players would probably come up with when asked for advice on expanding one’s soloing vocabulary is learning new scales. There’s nothing wrong with that, given that you already are making the most of your current knowledge and abilities. Most of us don’t. There are many other ways to immediately jump start your soloing apart from scales. Enough talking, let’s get down to bussines:

1) Soloing using fourths or fifths is probably one of my favourites. The sound is instantly recognizable and adds a lot of depth to your playing. The way you do it is simply play every note a fifth (or fourth) higher or lower than the previous one. You can also try playing it as double stops. It works great played either clean or distorted - you can use it to make your solo sound “jazzier” or as a flavor in a metal/rock lead line. Try combining both intervals - play a short fifths run then switch to fourths and so on. Experiment, this technique offers huge possibilities!

2) Adding chromatics to your scales is another cool way of giving your solos a breath of fresh air. Imagine a minor pentatonic scale box and simply fill the “holes” with chromatic notes. It works best played over seventh or altered chords and adds an instant jazz vibe. If your not big on jazz you can actually pretend you know a lot more than you really do with this little trick. You can try it with different scale patterns as well.

3) Playing octaves is commonly associated to jazz, but it can be a useful tool in any other music style, too. If you need a jazzier sound, even a simple octave lick can do the trick. Dial up the gain on your amp and you are instantly transferred into the realm of rock’n’roll. Playing octaves can add a lot to your rhythm riffs as well.

4) Another neat way to add a different, more melodic flavor to your playing is focusing on chord tones rather than scales. Marty Friedman created even a whole instructional video on it. Sticking to chord tones is also a safe way of soloing when nothing really comes to your mind - it is much easier to create melodies this way than with a typical scalar approach.

5) Sliding into a note can help you sound more unique and interesting. Try playing one of your licks the usual way, then incorporate slides into it. Notice the difference? Use a combination of slides and bends for even more unusual results. Steve Vai is a true master of this technique - check out “For The Love Of God” as an example.

Remember not to stick to only one approach when soloing. Use a combination of differnet techniques for best results. As always, the only way to improve is through practice and experimentation, although some of the above mentioned approaches can really boost your playing almost instantly…

More Free Guitar Lessons to hopefully come soon…

Take care!

StanB is a rock guitar player, composer and guitar instructor. He is also a proud webmaster of www.guitardivinity.com - THE blog for Free Guitar Lessons!

Free Guitar Lessons - Is Musical Education a Necessity?

by StanB

Hi there! In today’s installment of Free Guitar Lessons I’d like to express my opinion on musical education. Is it a necessity? Is it for everyone?

Over the course of history there have been many great self-taught guitar players. You could easily come to a conclusion that musical education isn’t necessary at all because Jimi Hendrix, Eric Clapton or Dimebag Darrel didn’t really have any. On the other hand there are guys like John Petrucci or Steve Vai who graduated from Berklee School of Music. As usual, there is no right or wrong here. I think it really depends on your personality. There are people who feel the need for being mentored and following clearly defined steps, as well as those who want to discover everything on their own and at a pace they choose.

One of my friends, a skilled bass player, in the early days of his playing carreer would buy a book or an instructional video and play every single exercise with a machine-like persistence. He didn’t think - “hey, this sounds really cool” or “I don’t really like this one at all”. He didn’t want to experiment - if the book said so, he would do it. It would be pretty hard for most people to follow such an approach but in his case it worked. Later on he enrolled in the local music school and benefited from it greatly.

I myself was completely different. As a beginner I took classical guitar lessons, but didn’t enjoy them at all (they did give me a basic understanding of the guitar and some modest technical skills, though). I got bored easily with playing other people’s songs and wanted to learn only what I thought was cool. The first scale I actually learned wasn’t the usual minor pentatonic but the natural minor - a scale that I fellt much more reflected the musical mood I particularly enjoyed. I’ve never followed any instructional book chapter after chapter. That said, my practice routine wasn’t really that much chaotic - I only chose the exercises that I liked musicaly and that I felt were appropriate for my technical level, but I did stick to them. I can honestly say that I pretty much educated myself on my own. I would use numerous resources that I had access to, such as guitar magazines, books or later the internet and choose what I wanted to learn.

It would be rather foolish of me, if I were to say that musical education would not do you any good. All I’m saying is that it’s not for everyone and it’s not obligatory even if your goal is to become a professional musician. Having played with a number of educated and self-taught players and being a self-taught guitarist myself I can’t really say which is better. There is a difference, however, in the way that both types of musicians express themselves musically and in the way they think of music. The way I see it - it makes it all more interesting, doesn’t it?

Stay tuned for more Free Guitar Lessons!

StanB is a rock guitar player, composer and guitar instructor. He is also a proud webmaster of www.guitardivinity.com - THE blog for Free Guitar Lessons!

Free Guitar Lessons - The Pentatonic Scales

Hello again! I haven’t really written anything about scales yet in any of my previous Free Guitar Lessons articles, so it’s high time to make up for it. When talking about scales, the pentatonics are always a great place to start.

The minor pentatonic scale is usually the first scale every guitar player learns. It is built of five notes, hence the name “pentatonic”, and therefore it’s pretty easy to memorize. There are five positions that you should become familiar with, each starting on the following note of the scale. Let’s take A minor pentatonic as an example. The notes are: A, C, D, E, G - the first position starts with A (pretty obvious ), the second with C, the third with D and so on.

Here are all five scale boxes:

1.
e ____________________5_8_____________
b ________________5_8_________________
g ____________5_7_____________________
d ________5_7_________________________
a ____5_7_____________________________
e 5_8_________________________________

2.
e _______________________8_10_________
b __________________8_10______________
g ______________7_9___________________
d _________7_10_______________________
a ____7_10____________________________
e 8_10________________________________

3.
e _____________________________10_12__
b _______________________10_13________
g __________________9_12______________
d ____________10_12___________________
a ______10_12_________________________
e 10_12_______________________________

4.
e ______________________________12_15_
b ________________________13_15_______
g __________________12_14_____________
d ____________12_14___________________
a ______12_15_________________________
e 12_15_______________________________

5.
e ______________________________15_17_
b ________________________15_17_______
g __________________14_17_____________
d ____________14_17___________________
a ______15_17_________________________
e 15_17_______________________________

The cool thing is that once you learn the minor pentatonic, you pretty much know the major pentatonic scale as well. All you have to do is move the pattern down a major third (from A to F#) and there it is - the major pentatonic! Keep in mind that although the box looks the same, the actual scale is A major pentatonic (the box starts with F# but the “real” root note is A).

Both pentatonic scales can be used in various musical situations, but the most basic approach is this:
The minor pentatonic can be used for soloing in minor keys and the major pentatonic for major (I guess it’s kind of obvious again ). In blues you can mix it up a bit - use the minor pentatonic scale over a major progression to make it sound more interesting. The same applies to the major pentatonic - you can try using it when soloing over a minor chord progression. As always, feel free to experiment!

More Free Guitar Lessons to come soon!

StanB is a rock guitar player, composer and guitar instructor. He is also a proud webmaster of www.guitardivinity.com - THE blog for Free Guitar Lessons!

Free Guitar Lessons - Efficient Guitar Practice

Howdie! In today’s Free Guitar Lessons post I’d like to say a few words about the “right” amount of time you should devote to practising guitar.

There are many false beliefs - the most common being that you have to practise countless hours daily in order to achieve a high level of proficiency. On the other hand some teachers or books tell you that even 20 minutes a day could give you great results. As usuall, at least in my opinion, the golden mean is in the middle. First of all, you should decide how much time you can spend practising daily. Once you have that, design a practice routine focused on certain aspects of playing and stick to it (I wrote about it in Free Guitar Lessons - How to Design your Practice Routine?). I recommend starting with an hour and adding to it as time goes by. You can end up with whatever amount of time that feels right for you - if you take your guitar playing seriously you are likely to end up with a 2-3 hour practice routine, perhaps even more if you are motivated enough and are willing to find the time.

And what if you totally dig guitar but can’t afford to practice that much? Well, this makes it a little bit more difficult but it’s certainly not a lost case. Quality and efficiency are the key here. If 30 minutes per day is all you have, try to get the most out of it. Try to combine several aspects of playing and work on them simultaneously. For example - alternate picking scalar runs over a chord progression or a jam track gives you a workout for your left and right hand, helps you memorize scales and improves your improvising skills. It is also crucial that you remain totally focused during your short but intense practice session to make it really effective.

The same applies to the pros. Do they really have that much time to practise? Well, not really, at least not most of them. Being constantly on the road or doing session work it would be really difficult. If you have o closer look at their bios, you will likely find out that most professional guitarists did spend a lot of time practising during the early years of their playing and that’s what gave them the chops and abilities they make use of today, but they don’t really practice that much anymore for the reasons I outlined above. Instead, they try to make the most out of what they have.

Summing up, what I would like you to remember from this post is this - quality and efficiency over quantity! If you can spend more time practising - great! If you can’t - don’t give up, a properly designed short practice session can give you a lot as well!

Stay alert for more Free Guitar Lessons!

StanB is a rock guitar player, composer and guitar instructor. He is also a proud webmaster of www.guitardivinity.com - THE blog for Free Guitar Lessons!

Free Guitar Lessons - Warm-up Ideas

Ready for another Free Guitar Lessons post? I know I am:-)

Today I’d like to share with you some of the warm-up ideas that I find particularly useful. Instead of playing the same chromatic drills over and over I try to focus on the techniques I’ll be using during my practice session/gig.
The best idea is to start with your left hand - play some legato runs at a comfortable tempo, then move on to the right hand - crank out a couple of Metallica riffs and finally synchronise both hands. If you’re a sweep-picker you might want to add some arpeggios as well. As always focus on precission and try not to force the tempo - you might get injured or at best tense-up which is something you don’t want to happen.

Here are some of the excersises that serve me as a warm-up:

1. A B Phrygian legato run

e ___________________________________________________________________________________8h10h12p10p8h10h12_
b ________________________________________________________________8h10h12p10p8h10h12____________________
g ________________________________________________7h9h11p9p7h9h11_______________________________________
d ________________________________7h9h10p9p7h9h10_______________________________________________________
a ________________7h9h10p9p7h9h10_______________________________________________________________________
e 7h8h10p8p7h8h10_______________________________________________________________________________________

Try playing it descending as well.

2. A fast palm muted riff:

x99 (or as many times as you want)
e ___________________________________________
b ___________________________________________
g _9_________7_________5_________4_________4_
d _9_________7_________5_________4_________4_
a _7_0_0_0_0_5_0_0_0_0_3_0_0_0_0_2_0_0_0_0_2_
e ___________________________________________

3. An alternate picking exercise:

e 8_5_8_5_8_5_____________________________________________________________
b ____________8_5_8_5_8_5_________________________________________________
g ________________________7_5_7_5_7_5_____________________________________
d ____________________________________7_5_7_5_7_5_________________________
a ________________________________________________7_5_7_5_7_5_____________
e ____________________________________________________________8_5_8_5_8_5_

4. Sweep picking, alternating minor & major triad arpeggios in the same position:

x99(or as many times as you want)
e ___________8_12_12p8______________________9_12_12p9___________
b ________10___________10________________10___________10________
g ______9_________________9____________9_________________9______
d ___10_____________________10______11_____________________11___
a 12__________________________12_12___________________________12
e ______________________________________________________________

Unfortunately there are times when it is practically impossible to warm-up playing your guitar (meaning you don’t have access to it or just don’t have enough time). Fear not, there is a way out - it’s called stretching. Believe it or not, it actually works almost as well warming up on guitar. It’s pretty hard to describe the excersises without actually seeing how they are performed but thank God we live in the wonderful days of internet. I recommend the Guitar Burning Speed course which has an excellent chapter on stretching with detailed photos as well John Petrucci’s “Rock Discipline” DVD which, I heard, is available on YouTube in its entirety. Unfortunately it only includes some brief stretching advice so in order to really get the idea GBS seems to be the best choice.

I hope you found the info useful. Stay alert for more Free Guitar Lessons in near future!

StanB is a rock guitar player, composer and guitar instructor. He is also a proud webmaster of www.guitardivinity.com - THE blog for Free Guitar Lessons!

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